Relentless: A Novel Page 29
‘I’ve thought about it a lot,’ Bolt said, giving her a small smile of his own to show that he understood what she’d been through and why she’d done it, ‘and I couldn’t work out who else it could have been.’
She sighed and dragged on the cigarette. ‘The problem was, I thought he’d got away with everything. And I suppose at the time, he had. I just wanted to make him suffer some of what I was suffering. I only ever sent him that one mail, and I realized afterwards how stupid I’d been, and what a risk I was taking. Is it likely to be traced back to me?’
‘Where did you send it from?’
‘An internet café from a hotmail account I’d set up.’
‘I talked to the guy who was looking into it a couple of days ago,’ said Bolt, recalling a conversation he’d had with Matt Turner, ‘and he hadn’t turned up anything. So I think it’s very unlikely.’
‘Good. Not that I regret sending it. He deserved it. I just wish I’d thought of something more effective.’
‘You didn’t have to in the end, did you?’
‘I suppose not.’ She stubbed out the cigarette in the ashtray and eyed him carefully. ‘This’ll be our secret, though, yes?’
‘Scout’s honour.’ Bolt made the sign. ‘But that’s not the only reason I came here.’
She looked wary. ‘So, what else is there? Anything I should be worried about?’
‘Maybe,’ he said, but once again he was smiling. ‘I’ve come to offer you a job.’
‘You’re joking, aren’t you? I’m not even on the force any more.’
‘No, I’m not joking. I’m very short on numbers for my team, and I know that you’d be welcomed back at any time. Your record’s excellent, and you’re the sort of person I need. A fighter.’
‘You’re serious, aren’t you?’
‘Absolutely.’
She brushed a hand through her hair. ‘It’s an interesting offer. But aren’t the NCS going to be disbanded next year?’
‘That’s next year. Come on, you know you belong with us.’
‘I’ll give it some thought, OK? But I don’t want to make an on-the-spot decision. You understand that, don’t you?’
‘Sure,’ he said, feeling vaguely disappointed.
The reason he wanted her on the team wasn’t just because she was a good copper. When he’d first met her three weeks ago, she’d seemed vulnerable and in need of comfort. He’d responded to her pain, perhaps seeing something of himself in her. But he realized afterwards that he was also attracted to her. Seeing her now, tanned and pretty, only accentuated those feelings.
He stood up, trying to brush off the disappointment, although with only limited success. ‘You’ve got my number, haven’t you? Let me know when you can.’
She nodded. ‘I appreciate the offer. I’ll tell you by the end of the week.’
They shook hands and said their goodbyes. Bolt left a couple of pound coins on the table for his coffee and walked out into the street. The sky was a faded blue, and the sun shone amid the long, crooked fingers of cloud.
The disappointment faded. It was time to move on.
THE END
THE LAST 10 SECONDS
Another race-against-time thriller from #1 internationally bestselling author Simon Kernick.
36 HOURS AGO: A brutal serial killer is arrested on the streets of north London after a two-year reign of terror. Known as the Night Creeper, he's earned his reputation by torturing five young women to death.
24 HOURS AGO: Undercover cop Sean Egan has infiltrated one of the country's most notorious criminal gangs. Now he's about to risk his life in a desperate bid to bring its members to justice.
12 HOURS AGO: DI Tina Boyd has discovered that the Night Creeper's murders are part of a much larger criminal conspiracy. But her quest for the truth has brought her into contact with some very dangerous people who want to silence her - permanently.
THE LAST 10 SECONDS: A man, a woman, a sadistic killer. As they race towards a terrifying confrontation only one thing is certain: they're all going to have to fight very hard just to stay alive.
Read on for a look at Simon Kernick’s
The Last 10 Seconds
Available from Atria Books
Excerpt from The Last 10 Seconds copyright © 2012 by Simon Kernick
Today
8.05 A.M.
An empty shell of a building deep in the heart of the city. It’s early, the first spears of bright sunlight advancing through the holes in the wall where the windows are meant to be, and here I am watching my blood form a visibly growing pool on the dusty concrete floor in front of me.
Propping myself further back against the wall, the gun still dangling precariously from my trigger finger, I concentrate on keeping my eyes open, forcing myself to focus on the carnage in this vast, empty room.
Three men dead. Two are lying sprawled on their fronts, arms outstretched theatrically, a dozen feet and hugely differing circumstances separating them. The third – a big man in a blood-drenched sky blue polo shirt and jeans, younger than the others – is bound to a chair with flex, his head slumped forward, his thick, sandy-blond hair bisected by a huge hole where the bullet exited.
Outside in the distance, I can hear the faint, drifting buzz of traffic. But it all seems so far away, and as I listen it seems to grow fainter, consumed by the leaden silence inside the room – a silence that seems to rise up from the floor like some dark, malignant force, extinguishing all the life around it. It’s going to extinguish me soon enough too. I’m bleeding to death, trapped on the third floor of this deserted place, a bullet in my gut, another in my right thigh, rendering the leg useless, a stiff coldness beginning to envelop me.
I’ve thought about death a great deal over the years, but always in a vague and abstract manner, never quite affording it the respect it deserves, even though I’ve skirted close to it on too many occasions.
But as I sit here, wounded and helpless, wondering how I’ve got myself into this terrible tomb-like place, I can hear death’s steady, inevitable approach and I know there’s no escape. That’s the hardest thing to accept, the fact that my life is finally coming to an end, and I wonder briefly in these last few seconds, as the pain and the shock squeeze at my insides, whether there’s anyone left to mourn my passing. Whether I’ll even be remembered in ten years’ time.
And then I hear it. A sound directly outside the door. The scrape of a foot on the floor.
Jesus. Is this nightmare still not over? Is there a final act to come?
I clench my teeth and slowly raise my gun arm, the effort almost too much to bear, thinking that I’ve fired five shots, so I should have one more left.
A shadow falls across the doorway and then, in an instant, a dark-haired woman in casual clothes is standing there, a warrant card in one outstretched hand and what looks like a can of pepper spray in the other. ‘Police!’ she shouts, her voice tight with tension as it echoes through the room.
She opens her mouth to say something else, her eyes wide with shock as they take in the scene of slaughter in front of her, before finally her gaze comes to rest on me.
This is when she frowns in startled recognition. ‘Sean?’
Even in my weakened state, I manage to crack something close to a smile. ‘Hello, Tina.’
‘What the hell’s happened?’ she asks, taking a step forward, ignoring the fact that I’m still pointing my gun at her.
And that’s when the shooting starts.
Part One
THURSDAY, 7 P.M.
37 HOURS AGO
One
He was short, maybe five seven, with a build that was either slim or scrawny depending on how charitable you were feeling, and he was dressed in cheap grey slacks, a neatly ironed white shirt, and a dark tie with an unfashionably small knot. His hair, dead straight and surprisingly thick, was the only thing unconventional about him, falling down like a medieval helmet to his shoulders. Otherwise he looked a perfectly ordinary, if slightly nerdish, you
ng man. But then, in newly promoted DI Tina Boyd’s experience as a police officer, even the most brutal murderers tend to look just the same as everyone else.
As she watched from the back seat of the Kia Sorento, its blacked-out windows shielding her from the gaze of the outside world, thirty-two-year-old alarm engineer Andrew Kent walked by a pregnant woman, giving her the faintest of glances as he passed.
Andrew Kent. Even his name was ordinary.
He carried a small backpack slung casually over one shoulder and Tina wondered if it contained the tools of his illicit trade. Ten years ago, the thought would have made her visibly shudder, but now she just watched him coldly as he turned the corner into the quiet residential street where he’d lived for the past four and a half years, heading for his front door thirty yards down, moving in a lazy shuffle reminiscent of a teenager. He looked like he didn’t have a care in the world, and Tina smiled to herself, pleased that they’d finally got him after an investigation that, in one form or another, had lasted close to two years.
She picked up her radio, relishing the hugely deserved shock Kent was about to get. ‘Car three to all units, suspect approaching north along Wisbey Crescent. You should have the eyeball any time now.’
‘Car one to all units, we’re ready,’ barked Tina’s immediate boss, DCI Dougie MacLeod, the head of Camden’s Murder Investigation Team, or CMIT as most people preferred to call it.
Cars two, four and five gave the same message, that they too were ready. They’d come mob-handed today: fifteen officers in all on Wisbey Crescent itself, all plainclothes, and a further two dozen uniforms at four different points in the streets around to cut off any escape. The Kent arrest was going to be high profile and the Met couldn’t afford any mistakes.
But as Kent ambled down the street, now barely ten yards from the front door of the rundown townhouse that housed his first-floor flat, something happened. He began to slow down, then came to a stop, looking at one of the parked vehicles just up ahead. It was a white Ford Transit with Renham & Son Carpentry written in bold lettering on the side. Car three.
And in that moment, inexplicably, Andrew Kent seemed to realize that they’d come for him.
He swung round and started running, just as MacLeod’s urgent shout came over the radio, ‘Go! Go! Go!’, and the four cars full of detectives disgorged their loads on to the road in a cacophony of yells and commands designed to immediately cow their target.
The first out of the Transit was DC Dan Grier, all six foot four of him, the young blond graduate destined for the fast track, whose gangly legs ate up the distance between him and Kent within a couple of seconds. But as Grier flung out an arm to apprehend his quarry, Kent turned, swatted it out of the way with one hand, and launched the other upwards into his neck in a clinically accurate chop. As Tina watched aghast, Grier went down like a collapsing pole of beans, while Kent, the shuffling five foot seven nerd, did a surprisingly nimble sidestep which completely wrongfooted DC Anji Rodriguez, who liked to bang on that she’d once represented England Under-16s at netball but who tripped like a rank amateur when she tried to grab hold of him. She tumbled over on her side and hit the tarmac with an audible smack, forming an immediate obstacle to the officers coming behind her, one of whom, DS Simon Tilley, lost his footing as he tried to hurdle over her rolling form, and went down as well.
The whole thing was surreal, like something out of the Keystone Kops. It would have been funny watching Kent take off in the direction he’d come, running down the middle of the road with more than a dozen cops scrambling over one another in hot pursuit, led by a panting, red-faced DCI Dougie MacLeod, if it hadn’t been for the fact that this was a man far too dangerous to let escape.
Tina had wanted to be in on the actual arrest, had wanted to be one of the ones who put Andrew Kent in cuffs, but she was carrying a limp from a gunshot wound to the foot she’d received on a job the previous year and, much to her annoyance, the doctors had still not declared her fully fit for active duty, which meant she’d had to leave the arrest to her colleagues, something that now seemed grimly ironic as she watched Kent’s rapid approach through the back window.
She was reluctantly impressed by his speed and coolness under pressure as she watched him get closer and closer, his angle changing as he made for the pavement on her side of the road, the expression on his face one of intense concentration.
Ten yards, eight yards, six yards . . .
She gripped the handle on the car door and placed her good foot against its base.
Four yards. She could hear his panting.
Two yards, and she kicked open the door in a single sudden movement, hoping she’d timed it right.
She had. Unable to stop himself, Kent sprinted into it just as it reached the limits of its hinges, the force of the collision sending him somersaulting over the top.
The adrenalin surged through Tina as she exploded out of the car, a pent-up ball of excitement and rage, half stumbling on her bad leg but righting herself through sheer force of will, a can of CS spray her only weapon.
Kent was clearly winded, but he was already rolling over on to his back, putting one hand down for support so he could jump back up, his eyes widening as he saw Tina bear down on him.
The laws governing arrests in the UK are some of the strictest in the world. Only the minimum force required to control a suspect should be used. But Tina had always treated the rules with flexibility, and she leaped on to Kent’s stomach, knees first, putting all her weight into it, ignoring his gasp of pain as she positioned herself astride his chest and gave his open mouth and eyes a liberal shot of CS spray, leaning back so she wasn’t affected herself.
He coughed, spluttered, and struggled under her, still showing reserves of fight she hadn’t expected, and almost knocked her off, so she punched him in the face with all her strength. Once, twice, three times, feeling a terrifying exhilaration as her fist connected with the soft flesh of his cheek, the blows strong and angry enough to knock his head on the concrete each time they landed.
‘Andrew Michael Kent,’ she snarled as he fought for breath, the resistance seeping out of him now as her colleagues began arriving in numbers, several of them pinning his limbs to the ground, ‘I’m arresting you on suspicion of murder. You do not have to say anything but it may harm your defence if you do not mention when questioned something which you later rely on in court. Anything you do say may be given in evidence.’
‘I’m innocent!’ he howled, before breaking into a fit of coughing.
‘You and every other one I’ve ever nicked,’ Tina grunted, getting to her feet and leaving her colleagues to finish off the arrest, unnerved but not surprised by how much she’d enjoyed hurting him.
Author’s Note
Some astute readers will notice that I’ve taken a few liberties with the village of Hambleden in order to further the plot. For instance, there’s no phone box in the village square anymore, and no such place as Rangers Hill. However, the pub’s real enough, and it serves good beer, too.
About the Author
Simon Kernick is one of the world’s most exciting thriller writers, and a #1 bestselling author in Britain. He arrived on the scene with his highly acclaimed début novel, The Business of Dying, which introduced Dennis Milne, a corrupt cop moonlighting as a hitman. His big breakthrough came with his novel Relentless, which was selected by Richard and Judy for their Recommended Summer Reads promotion and rapidly went on to sell over 300,000 copies.
Simon’s research is what makes his thrillers so authentic. He talks both on and off the record (but usually off) with a number of contacts in the police and security services, including Special Branch, the Anti-Terrorist branch, and SOCA (the Serious and Organized Crime Agency), so he gets to hear first-hand what actually happens in the dark underbelly of international crime.
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Also by Simon Kernick
The Business of Dying
The Murder Exchange
The Crime Trade
A Good Day To Die
Severed
Deadline
Target
The Last 10 Seconds
The Payback
About Atria Books
Atria Books was launched in April 2002 by publisher Judith Curr as a new hardcover and paperback imprint within Simon & Schuster, Inc. The name Atria (the plural of atrium—a central living space open to the air and sky) reflects our goals as publishers: to create an environment that is always open to new ideas and where our authors and their books can flourish. We look for innovative ways to connect writers and readers, integrating the best practices of traditional publishing with the latest innovations in the digital world. We are committed to publishing a wide range of fiction and nonfiction for readers of all tastes and interests.
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